Der 6. Danach, Opus I: Leidenswege
by Winterblut
1. |
Wie ein Sturm des Zorns
05:38
|
|||
2. |
Schwarze Wunden
04:14
|
|||
3. |
Geboren um zu sterben
07:02
|
|||
4. |
Manifestia Demoniis
02:35
|
|||
5. |
Sein vorletzter Neumond
06:21
|
|||
6. |
Mondpest
07:24
|
|||
7. |
about
ANTI-GOTH 195
As with all of Winterblut’s releases, the debut album “Der 6. Danach” is an ambitious and astounding work of black art. Originally released in 1999 under the banner of Darker Than Black Records, this album was the first proper full-length Winterblut recording and began the unfolding of what would become one of the most unique catalogs in Black Metal. For this vinyl release, L’hiver, after years of assessing the impact of this recording, has reorganized the tracks to better suit the various stages of the work. The first of the two LPs, subtitled “Opus 1: Leidenswege,” is primal Black Metal. Directed by aggressive percussion, the tracks on this LP are, for the most part, attacking and pure. The songs forming the body of Opus 1 demonstrate the intense musculature of the corpus of Winterblut’s sound. As Opus 1 progresses, this corpus is gradually defleshed leaving only the bleak consciousness of the music. A greater influx of the atmospheric and ethereal elements begins to manifest giving way to the tracks on “Opus 2: Geistmusik” and “Opus 3: Orgelmusik.” With these songs, L’hiver sought to attain an even darker sounding Black Metal by utilizing only keyboards, drums and vocals. Assisted by a talented session keyboard player, L’hiver descends deep into cold and impersonal realms with the songs here. While Winterblut may not be the only band to have attempted to create dark Black Metal without the use of guitars, the second half of this album is perhaps the most successful of these efforts. From its inception, Winterblut has remained unpredictable and mysterious. “Der 6. Danach” offers a glimpse of the mission that L’hiver would carry out over the next 13 years after the release of this album and reveals the vast spectrum of Winterblut’s sound.
As with all of Winterblut’s releases, the debut album “Der 6. Danach” is an ambitious and astounding work of black art. Originally released in 1999 under the banner of Darker Than Black Records, this album was the first proper full-length Winterblut recording and began the unfolding of what would become one of the most unique catalogs in Black Metal. For this vinyl release, L’hiver, after years of assessing the impact of this recording, has reorganized the tracks to better suit the various stages of the work. The first of the two LPs, subtitled “Opus 1: Leidenswege,” is primal Black Metal. Directed by aggressive percussion, the tracks on this LP are, for the most part, attacking and pure. The songs forming the body of Opus 1 demonstrate the intense musculature of the corpus of Winterblut’s sound. As Opus 1 progresses, this corpus is gradually defleshed leaving only the bleak consciousness of the music. A greater influx of the atmospheric and ethereal elements begins to manifest giving way to the tracks on “Opus 2: Geistmusik” and “Opus 3: Orgelmusik.” With these songs, L’hiver sought to attain an even darker sounding Black Metal by utilizing only keyboards, drums and vocals. Assisted by a talented session keyboard player, L’hiver descends deep into cold and impersonal realms with the songs here. While Winterblut may not be the only band to have attempted to create dark Black Metal without the use of guitars, the second half of this album is perhaps the most successful of these efforts. From its inception, Winterblut has remained unpredictable and mysterious. “Der 6. Danach” offers a glimpse of the mission that L’hiver would carry out over the next 13 years after the release of this album and reveals the vast spectrum of Winterblut’s sound.
credits
released 20 February 2012
tags
license
all rights reserved
feeds
feeds for 
discography
-
Jul 2013 -
Jul 2013 -
Jun 2013 -
Jun 2013 -
Jun 2013 -
May 2013 -
May 2013 -
May 2013 -
May 2013 -
Apr 2013 -
Apr 2013 -
Mar 2013 -
Feb 2013 -
Feb 2013 -
Jan 2013 -
Jan 2013 -
Jan 2013 -
Dec 2012 -
Dec 2012 -
Dec 2012 -
Dec 2012 -
Oct 2012 -
Oct 2012 -
Oct 2012 -
Sep 2012 -
Sep 2012 -
Jul 2012 -
Jun 2012 -
Jun 2012 -
May 2012 -
May 2012 -
Apr 2012 -
Mar 2012 -
Mar 2012 -
Mar 2012 -
Mar 2012 -
Mar 2012 -
Mar 2012 -
Mar 2012 -
Feb 2012 -
Feb 2012 -
Feb 2012 -
Jan 2012 -
Jan 2012 -
Jan 2012 -
Dec 2011 -
Dec 2011 -
Oct 2011 -
Oct 2011 -
Oct 2011 -
Sep 2011 -
Sep 2011 -
Aug 2011 -
Jun 2011 -
May 2011 -
Apr 2011 -
Apr 2011 -
Apr 2011 -
Mar 2011 -
Jan 2011 -
Dec 2010 -
Jul 2010 -
May 2010 -
Feb 2010 -
Feb 2010 -
Jan 2010 -
Jan 2010 -
Nov 2009 -
Oct 2009 -
Sep 2009 -
Aug 2009 -
May 2009 -
Apr 2009 -
Jan 2009 -
Dec 2008 -
Sep 2008 -
Aug 2008 -
May 2008 -
Apr 2008 -
Mar 2008 -
Feb 2008 -
Jan 2008 -
Jan 2008 -
May 2007 -
Jan 2007 -
Aug 2006 -
Jun 2006 -
May 2006 -
Jan 2006 -
Oct 2005 -
Sep 2005 -
Apr 2005 -
Apr 2005 -
Jan 2005 -
Jan 2004 -
Jan 2004 -
Dec 2003 -
Dec 2001 -
Dec 2001
contact / help
For help with downloads, click here.
For all other inquiries, click here.
