Much more low-key and somber than the lone Lurker of Chalice full-length that preceded it, I'd go so far as to call it relaxing. What does "Tellurian Slaked Furnace" mean? You'll just have to listen and find out.
Favorite track: VIII.
Because I work so hard in that hot sun for my daily bread, I wouldn't ordinarily spend $9 for a digital album; especially for a mostly instrumental recording. However, this is no ordinary collection; for these chords produce incipient thoughts that seem hauntingly distant and yet familiar. It somehow doesn't seem to be merely Instrumental; being far too bewitching and expansive; certainly unlike anything within the conventional realm.
Favorite track: II.
Feivl the Forgetful
I used to be quite snobbish, and made a point of not having any USBM in my collection, as I thought only European black metal could be considered “trve” and “cvlt”. It was Lurker of Chalice who changed all that and made me realise that there are no boundaries to black metal. This album, although not as portentous as the eponymous full-length, does reveal the roots of that opus.
This whole album is just fantastic. It’s almost like Alice In Chains mixed with Monumentum filtered through a deeply dark and twisted mental state. I’ve been a fan of LOC since the debut in 2005. I’m so glad these songs have been rereleased on this killer record.
Favorite track: VIII.
Active from 2001-2005, the highly revered side project of Leviathan’s Jef Whitehead, Lurker of Chalice, is mostly known for the 2005 self-titled full-length. Prior to that album, however, Wrest recorded two CD-R demos under the Lurker of Chalice name, each of which was limited to approximately 50 copies or less and sold at a single record store in San Francisco, near where he was living at the time. Like the full-length, both demos were eponymous, though the first demo was identified only by the initials “L.O.C.” written in runes. While a few of the songs from the demo era bear indicia of black metal, the material from that period is generally far more experimental, defying any effort to be neatly categorized. For “Tellurian Slaked Furnace,” Wrest has distilled the best material from the early period of the project and edited, collaged, and compiled it, weaving together something more coherent and album-like. In this way, there seems to be something of his current artistic sensibility projected onto these recordings from nearly two decades earlier. In keeping with the confusing taxonomy of the project, the tracks on this LP are unnamed. The album opens with a song previously called “Lurker of Chalice” on the 2002 demo but is untitled on this release. The song showcases the haunting minimalism of Lurker of Chalice as slow acoustic guitars revolve around one another, arpeggiated chords ringing out above percussive accents. With the second track, a more sinister energy emerges, advanced by the first and only appearance of Wrest’s seething vocals. Over the full, 70-minute duration of this album, the music, almost completely instrumental, expands and contracts, evolves and disintegrates. Delicate ambient passages and labyrinthine excursions give way to electronic dirges of lumbering percussion with guitar shimmering transcendent above a melancholic lake of atmospheric sound and cascading sheets of electronics dissolving into lush acoustic melodies. Only very rarely do heavy riffs emerge; compared with Wrest’s work in Leviathan, or even the Lurker of Chalice album, the metal elements are far less direct and overt. Instead, this album conjures a bleak, unsettling mood without resorting to the compositional trappings of black metal. The music, which strangely seems both intensely personal, yet also detached and cinematic, evokes a palpable sense of solitude—the disconsolate reckoning of the self in the absence of others. The release of “Tellurian Slaked Furnace” marks the first time any of the Lurker of Chalice demo recordings have been reissued and also offers a substantial amount of previously unheard material.
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this band so far can do no wrong. this is an album people will be talking about for years and years to come. it's an instant classic. it has everything you want in a death metal record. this is a must have album and my album of the year in 2019 kittyandpooch